best album 2019
BBT Read the full review. There’s potential in classicism yet ... King Princess. The strongest tracks, though, are when he slinks softly around guests Travis Scott and RosalÍa. Sein Grime-Punk rüttelt an den Schlössern der Mächtigen, die Sleaford Mods sind nicht allein. BBT Read the full review. The 50 Best Albums of 2019 From ‘Lover’ to ‘Cuz I Love You,’ ‘Death Race to Love,’ and beyond, here are the records that defined the year It’s goofy and utopian, an idealism that blows through Father of the Bride with its Edenic genre inclusivity, jam-band brightness and Ezra Koenig’s odes to love and marriage. There’s a musicality to his delivery that suggests a man considering one side of the argument, then the other – but ultimately there is little equivocation as he condemns institutional racism, needless violence, and the difficulty of social mobility: “We’re Kunta Kintes in some Cuban links / The Balenciagas didn’t blend us in.” BBT Read the full review. Sign up for our newsletter. It’s certainly the first record by the Norwegian artist that you could put on as background music, give or take some striking spoken-word sections. He gives more space than ever before to his vocalists, but he could never become a producer of straightforward backing tracks – his tumbling, symphonic funk is as impetuous and psychedelic as ever. Tracks either abruptly snap off like an unfinished thought or dissolve into the silent distance. While that warmth glows through Shepherd in a Sheepskin Vest, Callahan’s understanding of his inherent masculine violence, and his way with lucid profundity, means his domestic treatise was never cloying. Southern Sky, Bad Man, SugarHouse and plenty more make this a future cult classic. This is a strutting, utterly badass glam rock record, shot through with a gimlet-eyed outlaw nihilism – and comes with its own accompanying Kurosawa-inspired anime. Rachel Aroesti Read the full review. Meanwhile, avant-pop what-the-fucks 100 Gecs and hard-rocking heroes Sheer Mag kept noise alive, and rising stars Megan the Stallion and DaBaby, both masterful mouths of the South, led a class of newcomers setting the table for the 2020s. BBT Read the full review. Seemingly stumbling with Gucci Mane through a haze of chronic on My Skin My Logo, glorying in laidback “CP time” on Binz, the beautiful little nest of references that is “black molasses, blackberry the masses”, this is an understated and poetic celebration of a culture. By blending the trudging splendour of slowcore with country melodies and the kind of genuinely oddball artistry that doesn’t second guess or try to make things fit, (Sandy) Alex G remains one of America’s most underrated songwriters. Cate Le Bon wrote Reward during a year spent living in the Lake District and learning how to make furniture. Beim Berliner Produzenten trifft der abstrakte Minimalismus der Neuen Musik auf körperbewegenden Techno und House. The 50 Best Albums of 2019: Staff Picks. Das Team des Corso-Musikmagazins hat zum Jahresende die vielen Neuerscheinungen der vergangenen Monate gesichtet und die besten Alben von 2019 herausgesucht. From Stereolab to LCD Soundsystem and Hookworms, almost every year produces a band who replicate the soothingly simple, eternal groove of Neu! Even before you get to Aldous Harding’s magnetic, bug-eyed live shows, the New Zealander’s third album operates on its own unique logic: inscrutable lyrics and tender folk settings that are deeply eerie yet obviously benign, like the traditional music of some beatific lost civilisation. While artists like Billie Eilish and Polachek have pushed pop into the future this year, King Princess joins Lana Del Rey in showing that there’s potential in classicism yet. Without resembling anything so cliched as a “getting it together in the country” record, her fifth solo album runs on that solitary, spartan existence: sad and lovely piano-led songwriting unfolds in its own unruffled time, but then a post-punk scribble like Mother’s Mother’s Magazines upsets Le Bon’s calm, like a momentary wigout at her dislocation from society. Jack Barnett’s vocals, conversational yet epic, add their own particular drama. BBT Read the full review. LS Read the full review. After Clairo’s lo-fi, bedroom-pop hit Pretty Girl went viral, there was the risk that her ascent to pop proper would obliterate the intimacy that made her appeal in the first place. One of the UK’s greatest ever MCs ... Kano.
New ground … Carrie Brownstein, left, and Corin Tucker of Sleater-Kinney.
While Tyler has always been chameleonic, on Igor his restlessness feels like a conscious choice for the first time, not just the jittering impatience of a young star looking to explore new sounds. Eine Art Selbstporträt. BBT Read the full review. ROLLING STONE erzählt die wahren Geschichten hinter diesen und weiteren Hits. But Morgan Simpson’s astonishingly tight drumming keeps them painting within the lines, even when they’re making the most abstract daubs.
No Home Record is as industrial as it is impish, full of sculpted noise, harebrained ragers and sly protest songs – against corporate branding and treacherous ex-husbands – that are sexy and seditious. The title, the new age font, the tie-dye colours of the album artwork – they all indicate that Hot Chip are getting in on the very 2019 taste for rave culture. Whether it’s bossa nova pop, Snail Mail-style slacker grunge or moody synthetic rock in the tradition of the xx, Yanya’s songwriting bar flexes and warps but stays permanently high. As buzz bands go, Black Midi is a weird one, a jagged mulch of math rock, Beefheart restlessness and the 90s Chicago school of alt-jazz, full of the declamatory vocals of Geordie Greep (whose voice you couldn’t make up if you tried). Music Reviews: Hidden History of the Human Race by Blood Incantation released in 2019 vi… It makes Legacy! On its follow up, she continues to wrap herself in its lore. Ja, der übliche Verdächtige. Elegiac and rickety, it’s a lasting testament to his mordant and philosophical poetry, but also to his pain: “The end of all wanting is all I’ve been wanting,” he sings on That’s Just the Way That I Feel. Slowthai wryly evokes the forgotten parts of the country through snapshots of working-class life: tea and biscuits, hiding drugs, fallouts with a stepfather, EastEnders’ Phil Mitchell. With every twist, Simz is already on top of the beat.
These one-time music students create a perfect simulacrum of 60s and 70s soul, but lit with the lamps of a jazz club rather than the sterile striplighting of a lab. Der schottische Schauspieler wurde 90 Jahre alt.
The production, aided by George Daniel of the 1975, is like dense layers of fluttering gauze, annotated with fine detailing; floating through it all is Bain’s breakup pain. The quavering, circuitous voice of British jazz-dub songwriter James Blake is still a beautiful instrument, and his arrangements are as atmospheric as ever here. Eine der prächtigsten Blüten der neuen UK-Jazz-Welle: Shabaka Hutchings erkundet mit seiner Band erstaunliche kosmische Landschaften zwischen Psychedelia, Funk und Leftfield-Electronica. if(typeof(jQuery)=="function"){(function($){$.fn.fitVids=function(){}})(jQuery)}; He resembles a heart-eyes emoji at various points, swooning over girlfriend Jameela Jamil on Power On and Can’t Believe the Way We Flow. Aber auch nach „Pocket Moon“ rätselt man wieder darüber, warum der unabweisbaren Song-Poesie des Mannes aus Omaha immer noch keine größere Öffentlichkeit zuteil wird. Pop in 2019 has been all about spontaneity, whether that’s the off-the-cuff language that’s crept into the biggest pop hits or the intensifying feedback loop between pop and TikTok. Kleingedrucktes, Haken, Klauseln: Eine vielschichtige Allegorie auf das Leben, ebenso kluge wie mitreißende Popmusik. Dense layers of fluttering gauze ... Amber Bain. LS Read the full review. Remind Me Tomorrow was a grown-up record that didn’t sound jaded. But it’s a disarming invitation to Hval’s most intimate work yet, one where she and her collaborators contemplate the purpose of existence and art in imagery that’s no less evocative for its surrealism. Over metronomic garage-rock, frontman James McGovern sings like a man reading a list of demands out of a high window, but also modulates into sweeping gothic romance.
Alexis Petridis Read the full review. Best-of 2019 Die Alben des Jahres.
With St Vincent as producer, Carrie Brownstein and Corin Tucker break new ground as songwriters – high camp on Bad Dance, trading intimacy and vaulting catharsis on The Dog/The Body – while mining affectingly desperate and ugly emotional depths.
Though it used sounds and textures familiar from the 80s, Remind Me Tomorrow didn’t sound like an 80s record.
Specificity is the marker of killer pop (the matches in Pet Shop Boys’ So Hard, the shoelaces in Robyn’s Be Mine), a trope that the LA trio Muna wield to intense effect on their second album of gothic synthpop.
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